avant / garde / under / net / conditions (vormals: perspektive | issue 43 | 2002 )

< code.poetry.loop > | dada.lodge | experimental.bungees | mail.art.ocular | post.dogmatism | surreal.sheets | theory.proxy | visual.tray
- - - - - - - -< data sheet >- - - - - - - - - |
interview

[/] interview (deutsch)
[/] interview (english)

source

[/] Art isnít reward itís shock



- - - - - - - -< data holders >- - - - - - - - |
> talan memmott - [USA]
> MEZ - [australia]
> netochka nezvanova - [www]
> brian kim stefans - [USA]
> YOUNG-HAE CHANG HEAVY INDUSTRIES - [south korea]
| - - -< YOUNG-HAE CHANG HEAVY INDUSTRIES >- - - |


/->/ flasher && animationskernelisten // gegrŁndet in seoul - sŁdkorea // "It's essential to break rules and do things "wrong" in art. But it's seemingly necessary to follow rules and do things "right" in making Web art. This is the big problem confronting the Web artist, for the technique --and not the art -- of making Web art necessitates obeying strict rules the flouting of which is punished by absolute failure to create image and sound." (quelle) //


>> Art isnít reward itís shock
>> / source /

// YOUNG-HAE CHANG HEAVY INDUSTRIES //

STATEMENT

YOUNG-HAE CHANG HEAVY INDUSTRIES (http://www.yhchang.com) combines text with jazz to create Flash pieces. It's a simple technique, one that purposely shuns interactivity, graphics, photos, illustrations, banners, colors, and all but one font. We have a special dislike for interactivity. On the Internet it's a necessary nuisance. In Web art it's optional and most of the time a paltry, laughable thing, like getting a kick out of pulling the trigger of a gun: click: bang. We don't get it. When we click on interactive art, we get the feeling we're the rat in the Skinner box, except there's only the miserable reward, not the shock. Art isn't reward, it's shock, or something approaching it, something we would call beauty. We also have a special fondness for art that entertains.



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